Arts and Entertainment

SAINT JHN

March 29 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary

SAINt JHN is an emerging emcee with a sophisticated, dynamic approach to the rhymes he spits. Bringing a cinematic presence and harmonious hooks to his vocals, the Brooklyn-based rapper is gaining recognition for his distinct style. Born Carlos St. John in Brooklyn, he was the son of a preacher and one of nine siblings, who also happened to grow up bouncing back and forth every few years between America and Guyana. Noting the favorable exchange rate between the two nations, their Brooklyn-based mother regularly sent money to support SAINt JHN and his siblings. SAINt JHN recalls his humble roots as the “barefoot, shirtless kid bathing in the rain, fetching water up the street.” At a glance, his childhood can be mistaken as an exotic tale brimming with travel and culture, though in truth, it was a crime-ridden adage steeped in poverty. As a witness to his brothers’ ill-fated attempts at lawlessness, SAINt JHN learned at an early age his options were to either sell drugs or make music. And while he too tested the waters of drug dealing, he quickly learned what he stood to lose was greatly disproportionate to what he stood to gain. “I wanted to change my family’s lineage,” he proclaims. It was at this time he started his decade-long journey to pursue a musical career with acute precision. He credits watching his older brother, an active rapper who participated in cyphers, as a defining moment in his discovery of hip-hop as an art form. Mimicking his brother’s aspirations, SAINt JHN started rapping at age 12, though admits he stole some of his brother’s rhymes to impress his classmates in junior high. “They thought I was a genius,” he recalls. “He’s two years older than me so I’m in junior high giving you 14-year-old bars, 15-year-old bars. They were like ‘wooo!’ I’m like, ‘Hell yeah, I’m dope!’” Influenced by the rich cultures of both cities, SAINt JHN remembers getting hip to Jay Z, The LOX, and Dipset juxtaposed by his time in Guyana, where he was immersed in soca music as well as the sounds of Buju Baton, Beenie Man, and Sound Cat. Upon his permanent return to the States, SAINt JHN began to hone his skills as a rapper – channeling that energy into his early mixtapes – The St. John Portfolio and In Association – which received early support from DatPiff and Pigeons & Planes, who noted, “[SAINt JHN’s] brand of hip-hop is intense,” then added, “his voice delivers urgency, clarity and passion.” SAINt JHN recalls, “I needed someone to say, ‘Listen, cool. Your rapping is fantastic. Stop rapping for a second. Go make some songs. Go make music.’” This pivotal moment jumpstarted SAINt JHN’s career as a songwriter. Yet as he racked up writing credits, including Usher, Kiesza, Joey Bada$$, Jidenna, to name a few, he simultaneously lost his own voice in the process. “When I sold songs to other people, I watched them to see how they would execute. Their tones didn’t quite match mine so the songs wouldn’t completely capture the same magic. It’s really hard to recreate magic.” In an effort to reclaim his own unique voice, SAINt JHN began to identify his personal expression within his writing, and once again, his songs shifted. In 2016, he offered a taste when he posted the brooding track “1999” to SoundCloud, with no fixed plan, aside from release. In a short time, the song gained traction – while SAINt JHN gained clarity, and his repertoire expanded quickly. In addition to “1999,” songs like “Roses” establish SAINt JHN’s authentic tone, which Pigeons and Planes described as a “more polished, focused, and intense sound.” The two tracks will be featured on the soon to be heard release Collection Vol. 1, followed by a series of mixtapes, including one from his collective GØDD COMPLEXx – a team of creatives dedicated to pushing boundaries in music and art. “I want to set the groundwork. I want you to understand that there is a foundation here,” he says of his music. “So I am going to introduce you all things that are part of my world. GØDD COMPLEXx is a part of my world. Fashion is part of my world. I am just a conduit for all the things that inspire me.

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Arts and Entertainment

OLE 60

April 19 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary

Hailing from Hawesville, KY and emerging onto the music scene after the release of their “Three Twenty-Four – EP”, Ole 60 has swiftly risen to prominence, becoming one of the most talked-about bands of 2024. With a sound that masterfully blends grunge rock and roll, blues, and a touch of southern charm, Ole 60 has captivated audiences nationwide, proving that even in a short time, they are a force to me reckoned with.

In just a year, Ole 60 has achieved remarkable milestones. “Three Twenty-Four”, their debut EP released in the fall of 2023 has received critical acclaim, with singles like “Smoke & A Light” and “Insane” topping charts and accumulating over 150 million on demand streams in its first year. The band’s energetic live performances, characterized by electrifying guitar riffs, powerful vocals, and an infectious stage presence, have led to sold-out shows across the country and a rapidly growing fanbase. Ole 60’s impact on the music scene is undeniable. They have been featured in top music magazines, and their music videos have garnered millions of views on YouTube. Additionally, their participation in major music festivals has further solidified their reputation as a must-see live act. Despite their rapid ascent, Ole 60 remains dedicated to their roots and their fans. They continue to write and perform music that resonates with listeners, drawing from personal experiences and stories that reflect the spirit of their Southern heritage. With their unstoppable momentum, Ole 60 is poised to have an indelible mark on the music industry for years to come.

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Arts and Entertainment

Silverstein

April 22 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary

Few bands on their 22nd lap around the scene could claim to be in “just getting started” mode as much as punk stalwarts Silverstein.

The release of their tenth studio album, Misery Made Me, finds the group spring boarding off the heights they’ve reached over the past handful of years; their latest album (2020’s A Beautiful Place To Drown) adding 80 Million streams to a mind-numbing career total of 500 Million; it collecting a nomination for Rock Album Of The Year at the esteemed Juno Awards; and its most recent headliner selling out nearly every date in elite rooms.

In bringing Misery Made Me to life Silverstein have continued to build on their already-wide reaching impact. Immersing themselves in new technologies like TikTok, Discord, NFTs, the metaverse and Twitch (even holding public writing sessions with fans over the latter) during its formation, the band have confirmed their unique ability to adapt and connect in all cycles of their career.

Interestingly, amid all the positivity and connectivity injected into its creation there comes a dark set of themes underpinning the album, as its title might suggest. Inspired by the past two years, Misery Made Me is a depiction of Silverstein – and world at large’s – collective turmoil, frustration, and anxiety.

“I wanted to explore the meaning of ‘Misery’ as a main theme throughout the album,” says vocalist Shane Told. “Despite the mountains climbed and boulders pushed during recent years, we were confronted by the weight and misery of staying relatively in the same place for a long period of time. Finding peace in the reality of this misery became important. The record is about the acceptance of a new reality and adapting to it.”

Ultimately, Misery Made Me finds the band trying to navigate the ever-worsening challenges of our modern world – angst, doomscrolling, and disassociation. It’s a record that is a product of the moment in time in which it was created yet doesn’t feel like it will date itself anytime soon, as many of its topics of loneliness, anxiety and isolation are eternal human struggles.

Exemplified by the anthemic opener ‘Our Song’, Misery Made Me is part acceptance of the band’s personal miseries, and part declaration that they will not be buried by them. At the back end of the record lies ‘Live Like This’ (ft. nothing, nowhere.) and arguably its most bleak and haunting lyric: “I don’t want to die, but I can’t live like this.”

Singles ‘It’s Over’ and ‘Ultraviolet’ dive deeper into this feeling of desperation, describing the utter helplessness of losing control to anxiety.

“’It’s Over’ is about the spiral that leads to giving up,” shares guitarist Paul Marc Rousseau. “Those anxiety packed hours when you can’t feel anything but the low, steady crescendo of panic that eventually gets so intense your fingertips lose sensation. It’s hopeless to feel but pointless to endure. I didn’t learn anything from feeling that way. I just wanted it to stop.”

“’Ultraviolet’ is about feeling powerless and under the control of the chemicals in your brain,” he adds. “Ultraviolet light itself being invisible felt like the right way to describe this notion. To get lost in this unseeable thing. UV also causes physical damage to our skin, so it serves as a sort of ‘proof’ that something invisible like anxiety can hurt us.”

Filled with moments of relentless energy throwing back to their hardcore roots (‘Die Alone’ ft. Andrew Neufeld), to visionary moments of modern heavy (‘The Altar / Mary’), Misery Made Me fastens Silverstein’s status as torchbearers of the scene on all fronts.

It’s both intriguing and inspiring that a band – who could have merely rested on the impressive legacy they’ve already cemented – would continue to dig deep and find the inspiration to reach people in meaningful new ways. Misery Made Me is a campaign hinged on Silverstein’s reflection and gratitude for their roots, their honoring of their earliest fans, and their staunch desire to explore forward-thinking and adventurous ways to connect with new ones.

Misery Made Me is out May 6 via UNFD.

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Arts and Entertainment

Nettspend

April 16 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary
Nettspend is an American rapper and songwriter from Richmond, Virginia. He is also an affiliate of the underground rap collectives Novagang[2] and 1c34. His music has been described as “post-post-rage” by The New York Times.
 He started making music in the fifth grade, growing up listening to Future, Michael Jackson, Lil Uzi Vert and Justin Bieber.   His song “Shine N Peace” was listed among The New York Times‘ best songs of 2023.

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Arts and Entertainment

ZOSO (The Ultimate Led Zeppelin Experience) - Freedom Hawk

May 8 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary

Celebrating their 30th anniversary in 2025, Zoso has become one of the most iconic and respected Led Zeppelin tribute experiences in the world, having played over 4,800 shows across the globe. Known for their unparalleled dedication to faithfully recreating the legendary band’s live performances, Zoso has earned accolades from both critics and fans alike.

The band was founded by Matt Jernigan and Adam Sandling, both of whom are renowned for their exceptional musicianship and passion for Led Zeppelin’s music. Jernigan, who takes on the colossal role of Robert Plant, has a commanding stage presence that rivals the icon himself. Sandling, who brings John Paul Jones to life, masterfully plays bass, keyboards, and mandolin, replicating the multifaceted talent of the Zeppelin legend.

Zoso’s live performances focus on the raw energy and intricate musicality of Led Zeppelin’s best-known hits and deeper tracks, with a particular emphasis on recreating their live show experience. The band’s commitment to authenticity has earned them praise from major outlets, with the LA Times calling them “head and shoulders above all other Led Zeppelin tributes,” and the St. Petersburg Times describing them as “the most exacting of all the Led Zeppelin tributes.”

With over 30 years of music history behind them, Zoso continues to be regarded as one of the finest Led Zeppelin tributes, with the Chicago Sun-Times calling them “the closest to the original of any Led Zeppelin tribute.” Whether you’re a lifelong fan of Led Zeppelin or discovering their music for the first time, Zoso delivers an unforgettable experience that takes you back to the glory days of rock and roll.

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Arts and Entertainment

G Herbo and Friends

March 15 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
The NorVa 317 Monticello Avenue Norfolk, VA 23510 757-627-4547 Price: Price may vary

G Herbo hails from “Terror Town” in Chicago’s East Side, one of the most notorious crime-ridden areas in the country. This lethal and cutthroat environment inspired Herbo to become this generation’s premier voice for the voiceless. G Herbo has the life experience, lyrical dexterity, and the vocal inflection of someone far beyond his mere 20 years. No one in the game paints a more deft and vivid picture of the complexities of young street life in America like G Herbo.

In the summer of 2012, Herbo released “Kill Shit” with fellow Chicago emcee and childhood friend Lil Bibby. The song became an instant internet sensation, garnering national attention for the artists with over 12 million YouTube views to date.

Herbo has already released 4 mixtapes and “Welcome to Fazoland” (2014) received critical acclaim –praised by Complex magazine and several other publications for his “dexterous” rapping style as well as the project’s “Titanic drill beats” and “contemporary vitality.”

On September 29, 2015, G Herbo released his highly anticipated project “Ballin Like I’m Kobe” which has been widely regarded as his best work yet.

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Cuisine and Cocktails

Valentine's Day Dinner- Mermaid Winery

February 14 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
Mermaid Winery 101 Granby St, Norfolk

Join us at our Norfolk location for a special Valentine’s Day Dinner featuring a luxurious three-course meal served family style for $55 per person. Indulge in dishes like Pomegranate Tuna Tartare, Chilean Sea Bass with Grilled Plum Chutney, and the iconic “Death by Chocolate” dessert.

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Valentine's Day Dinner

February 14 - February 15 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
Todd Jurich's Bistro 150 West Main St

Join us at Todd Jurich’s Bistro for an elegant Valentine’s Dinner, available Friday and Saturday night. Enjoy a four-course prix fixe menu for $79, featuring dishes like Chateaubriand for Two, Sautéed Local Rockfish with Colossal Lump Crab, and a Sweetheart Dessert Sampler.

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Arts and Entertainment

Valentine's Singles Mixer

February 14 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
Cork & Kettle 420 Monticello Ave, Suite 160

Come and enjoy an evening with local singles. Food and Drink Specials and Delectable Desserts available.

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Arts and Entertainment

Valentine Workshop

February 13 2025

Doors open at 7:00 p.m. and show starts at 8:00 p.m.
d'Art Center 40 Boush St, Norfolk, VA 23510-1502 Price: Free

Craft a Valentine of your dreams for a special person in your life, whether you’re celebrating familial, platonic or romantic love, we’ll provide all the supplies you need to create a masterpiece! We’ll supply a variety of cardstock and other papers, doilies, stamps, doodling pens and more so you can customize and embellish your valentine in any way you choose.

Each attendee will receive a card & envelope to use as their base valentine before decorating.

Location: Main Classroom at d’Art Center on 740 Boush Street in Norfolk, VA
Ages: All ages*
*Children must be accompanied by an adult.

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